His practice combines photographic creation with research into visual practices and their role in constructing daily reality, from frontline mobile imagery to late Soviet visual culture, war, and masculinity. Working at the intersection of publishing, technology, and experimental humanities, he investigates social and political structures shaped by conflict and political transformation.
In 2022, Kazarin co-founded Solomiya print magazine, which has since evolved into a broader platform encompassing publishing, research, and curatorial practices. Operating between Kyiv, Berlin, and other cities, the Solomiya art collective focuses on underrepresented discourses, organizing public programs and exhibitions across the continent.
Why Should We Have A Closer Look At Military Mobile Snapshots?
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